by Park Street/ EJ's Internet Major Domo and the Member's
List 'Jeffe
Whether it's an Enzo Shuffle or an Alien Love
Child's first few babysteps, ericjohnson.com gives you the view.
Click here to download soundtrack
while reading and click on pictures to enlarge into the full view
of the situation.
Soundtrack:
Boogie King
All copyrights held by Park
Street/Park Street Photography.
Austin, TX. January 26, 2001 - Now that I've had a few
days to put out all the fires, I though y'all might be interested
in a recap of the time I spent with the band on the road at the
start of the tour.
Austin,
TX. Day 1 - We left from the studio on Thursday afternoon. The
bus, with the equipment trailer behind, was wedged down the very
narrow driveway in front and it's positioning should have clued
me in on what a great driver came with it. The bus the band has
this tour is the nicest any of us had ever seen.
It has two living areas with separate TV systems with video and
a satellite system. The satellite TV system has a dome on the top
with a rotating dish which tracks the satellite as the bus moves.
It had over a 100 stations, the most important of which was CNN
Financial so that Billy Maddox could keep tabs on the market. It
sleeps 12 in bunks which have their own mini TVs.
We
had nine without counting the driver so it really wasn't all that
crowded. The interior is all beautiful wood and reminded me most
of a really nice yacht. It's great that Joe sent them out in such
luxury, especially since they are going to be out for quite awhile.
We made our drive to El Paso under somewhat frightening conditions
since there was a snow warning out for part of our route. While
we did see a few flakes, we had a safe and comfortable ride with
only and interesting stop at a truck stop in Van Horn to break the
trip.
The people at the truck stop found us quite interesting and several
nodded knowingly when I told them Eric was BB King. I have several
interesting photos from this stop we should have up soon.
Day
2: In El Paso, David (Eric's Tour Manager) realized that we
had left without lanyards for our laminated tour passes and bus
keys. Having already walked to the border and back, I volunteered
to show him some shops I thought we might find some in. After trying
a few places, we found a store that had some with three different
sayings on them - I Love Jesus, I Love Mexico, and Titanic. David
was reticent to buy these, but, after my reassurance that the guys
had a sense of humor, we bought one Titanic for EJ and I Love Mexico
models for the rest of us. Be sure to comment on these when you
see the guys. ;-)

The club we played uses a toxic waste/Area 51 motif, thoroughly
appropriate for a band named Alien Love Child I thought. After
a sound check made difficult due to the fact Eric had started
the tour sick with a chest cold, we went and had dinner a couple
of blocks from the club. We had trouble getting back to the club
on time because the entire staff had to get autographs from Eric
before we could leave. For the number of autographs he signed
they should have given him a free meal...

The concert was packed and the band played well under the circumstance
that Eric was having trouble singing due to his cold.
It
was the same basic play list that has been posted from other later
shows.

After
the usual autographs being signed by Eric after the gig, we made
the short four hour drive to Santa Fe.
Sante
Fe, NM. Day 3: Scenes of sleep starved people stumbling around
a huge rambling open air hotel in the snow follow. Here, we find
out that Billy is really sick. So sick, that there is serious consideration
to canceling the gig. Trooper that he is, Billy decides he will
try his best. We drive into the facility to find it is on the campus
of the New Mexico School for the Deaf. A number of comments are
made about the appropriateness of this fact.
Sound
check is very, very tense. There is a horrendous buzz that is about
80db whenever EJ plugs in a Strat. We take every circuit in the
house down one by one and still can't isolate the problem. (As we
bring up one circuit breaker a huge puff of smoke comes out of the
lighting board and we all fear that we have fried it. - It was OK
thank God.) It looks as if the only answer is for Eric to play the
gig with just the SG and 335, something that does not make Eric
happy at all.
After
some dynamite Chinese food, brought in because we have no time to
leave the venue, Eric decides to try it one more time. Low and behold
it's a miracle! While there is still a buzz, it's not something
he can't play over. Stage time! The concert is tense to say the
least.
It's
a close race between Eric destroying his vocal cords all together
and Billy falling off the drum stool unconscious. At the least I
figured, we would have to throw a towel over Billy at the end and
lead him from the stage like they do James Brown.
Well,
they played great! Billy has had better nights, but I doubt no one
in the crowd could have realized how sick he was. Eric smiled and
played his heart out while doing his best to hit the high notes.
I was so proud of them. They pulled it off under battle conditions.
After the show we all crawled in our bunks and got a fairly good
nights rest on the ten hour drive to Scottsdale.

Scottsdale, AZ. Day Four - We had the day off here and
some of us saw a touch of the town, while others just R & R'd.
Eric and I searched down every possible lozenge and remedy for
a bad throat.
Scottsdale,
AZ. Day Five - The next day we go over to a local radio station
(93.3 KDKB) to do a live broadcast.
We run late and have only time for one song. The radio station is
very
nice and the people really kind. Because of the way it is set
up though, the band is unable to hear what it is going to sound
like until they go live.
I
remember shuddering at the thought when I hear this. They do Zenland
and we have no idea of what it sounds like out there in the real
world. Chris played straight into the board in place of using an
amp. When we get to the club, the crew tell us it sounded like Chris
was the lead instrument, I guess somewhat like Morphine... Win a
few... however, thankfully they followed it up with a live cut off
the "Live
and Beyond" album which gave the real live.
The Cajun Club is quite nice. Long and narrow with a New Orleans
motif and very nice bars etc. This is where we meet up with the
Derek Trucks Band. First thing that happens is I run into a list
member who is kind enough to take me on an errand. Always nice
to see a list member.
As
I walk in wearing a Sun Ra T-shirt, a young blond haired kid walks
up to me and compliments me on the T-shirt. He talks to me very
knowledgeably about Sun Ra, who is evidently one of his idols, and
then introduces himself as Derek Trucks. I, of course, am highly
impressed that he knows so much about such avant-garde jazz musicians
as Cecil Taylor, Sun Ra, and others. I had never heard him play
but I have a real interest now.
Because
of a Scottsdale noise ordinance, the sound check can't start until
five. Eric takes his scheduled amount of time but this means that
Derek's band gets about a 30 minute sound check. Derek goes on and
I find his band is great. The members are all excellent and Derek
himself is one of the best slide players I have ever seen. He is
really one of the best young guitarists around. I look forward to
seeing him age and mature musically.
I
am floored when I go out into the crowd and find a couple flying
two mics from a twelve foot boom into a DAT. I question Derek's
road manager about this and find out they allow audio taping at
their gigs. This I think is going to be a problem.
Low and behold when I ask the couple if they are going to take
down their rig before Eric goes on, I am met with a quite direct
no, they are not going to bring it down as they have permission
from the club. This causes quite a spirited discussion about the
fact the club has no right to give such permission. Finally they
agree and pack up.
Eric
plays and the band does their best performance so far, with perhaps
the best version of Spanish Castle Magic I've ever heard him do.
Next it's hugs, handshakes, and final photos before
I leave with an old friend and they head for San Diego.
I
want to thank Eric and my wife, Kowecha, for giving me a wonderful
birthday present, this trip. Also I would like to thank Billy, Chris,
Richard Mullen (Sound Master), David Weese (Tour Manager), Jeff
Van Zant (Guitar Tech), Ed Hughes (Roadie Extrordinaire), Everett
LaFrancois (Lighting Tech), and Phil Daniel (Driver) for making
me so welcome.
Best wishes, Park
Some more tasty pics from Sante Fe:



